10th Annual Best of Canada Design Competition
LIGHTING
Electronic Arts Canada, Burnaby, B.C.
MCM Interiors, Vancouver
Electronic Arts is the world's leading developer and publisher of
interactive entertainment software. The company challenged the design
team at MCM Interiors to create its next generation of high-performance
workspace, suggesting that if the first EA building, completed in 1999,
was version 1.0, then this new studio building should be version 4.0.
Light boxes, square pixel LED lights and colour-changing LEDs are used
throughout the space. A staircase spirals up the building's central
atrium, connecting the five floors. In the centre of the staircase is
a photo-luminescent light tape sculpture, inspired by the EA game SSX,
where a snowboard's movements are tracked by a blue light as the boarder
races down a mountain. The light tape flips, twists and turns. It can
be modified to pulsate quickly or slowly and the pulse can move from
the top of the five-storey-tall fixture to the bottom, where it terminates
into a square stainless steel box mounted on the slate flooring of the
ground floor.
DESIGN TEAM: PRINCIPAL-IN-CHARGE MARK WHITEHEAD, PRINCIPAL EDITH WORMSBECKER,
PROJECT MANAGER AND SENIOR DESIGNER LAURA PISICOLI, AND SENIOR DESIGNER
AND JOB CAPTAIN JOHN PARKINSON.
Terrence Donnelly Centre for Cellular and Biomolecular Research,
Toronto
GH3, Toronto
The CCBR building - designed by Behnisch, Behnisch & Partner, Stuttgart,
Germany, with architectsAlliance, Toronto - is in the southeast corner
of the main University of Toronto campus. Because it fits tightly in
its site, developing internal and external landscaping, with strong
connections between the two environments, was essential. That assignment
was taken on by GH3 partner Diana Gerrard. A bamboo and lirope grass
atrium greets visitors at the entrance, while three-storey gardens of
black olive trees and creeping fig groundcover connect every third floor.
The bamboo winter garden, placed between the new building and the neighbouring
Rosebrugh science building, provides a spatial and programmatic transition
between two distinct architectural styles.
Terraced urban courtyard, Toronto
Elias + Associates Landscape Architects, Toronto
A house in Toronto's Lawrence Park had a bare and boring, long and narrow
backyard. Ina Elias of Elias + Associates transformed the 28-by-80-foot
space, giving it interest and extending its view by building terraces.
Four entertaining areas were thus created: an intimate dining area;
a second for family dining; a third for larger groups; and a pool area.
The entire garden is paved with Wiarton stone, with plants in raised
planters or cutouts on the terraces used to define the different spaces.
Large raised planters are filled with beech, oak and redbud trees, while
other planters contain shrubs and perennials to recreate the forest
floor and blur the boundaries between adjoining properties.
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