IDS Toronto 2026

Biting cold and lots of snow were not enough to deter thousands of designers, architects, brands and students from four days of design at the Metro Toronto Convention Centre.

Anchoring the IDS show floor was Central Bar: Field of Interaction, a sculptural environment designed by Yury Goncharov and Alina Tacmelova, with fabrication by Custom Engineered Arts. Photo: Joel Esposito

Earlier this month, the Interior Design Show Toronto 2026 welcomed thousands of designers, architects, brands, students, and design lovers to the Metro Toronto Convention Centre for four days of exploration, experimentation, and exchange.

This year’s edition positioned the show floor as a laboratory and used space as a medium for inquiry as opposed to a backdrop for display.

The de Chirico-esque Khayeri & European Flooring booth.  Photo credit: David Lasker Photography

Across three major features, How We Work, Furniture Forecast, and ILLUMINATE, IDS shifted from traditional product presentation toward immersive, spatial experimentation.

Visitors moved through environments that explored cultural questions such as “what the workplace means as boundaries between office, home, and hospitality dissolve, how quality and longevity in furniture are being redefined amid material reckoning, and how light is increasingly becoming architecture itself.”

In the How We Work area: Un/Confined booth, a concept installation by Syllable Design showcasing furniture by Three H. Photo credit: David Lasker Photography

The event featured various keynote speakers, including Yves Béhar, Eames Demetrios, and Tatiana Bilbao, whose talks underscored design’s role in shaping culture, technology, and the future of daily life.

“IDS has always been about creating a platform for ideas, not just products,” said Will Sorrell, national director, IDS Canada. “This year we leaned into experimentation — inviting designers, brands, and visitors to experience design as a living discipline and to test new ways of thinking about space, materials, and how we come together. Even in the snow, the energy on the show floor was extraordinary.”

Together, these features formed a portrait of design as a living discipline.

In the How We Work area: Un/Confined booth, a concept installation by Syllable Design showcasing furniture by Three H. Photo credit: David Lasker Photography.

The Booth Awards jury faced a challenging task in selecting this year’s standouts. The 2026 recipients include Hollis+Morris — Booth 502 for Judges’ Choice, Coolican & Company — Booth 1334 for Sustainability, Legacy North — Booth 2140 for 50–199 sq. ft., Baril Design — Booth 1640 for the 200 sq. ft. Gold Award, San Marco — Booth 934
designed by Bettencourt Manor for the 201–499 sq. ft. Gold Award, and Montauk Sofa — Booth 1310 for 500 sq. ft. and above.

At the Illuminate pavilion, stacked-felt lamps and felt samples in the Stackabl booth.  Photo credit: David Lasker Photography

IDS also recognized the next generation of design talent through its Studio North and Prototype Awards. The Juror’s Choice Awards were presented to Daniel Roe for Prototype and Peak Woodworking for Studio North.

The jury also offered special recognition to Shu Wang for Prototype and Kari Serrao for Studio North.

This year’s IDS booth by Winnipeg-based Hush Acoustics was inspired by Japanese architecture and embellished with the firm’s sound-absorbing materials, made from PET (polyethylene terephthalate) from recycled plastic bottles. Photo credit: David Lasker Photography
The Home DeCoors booth by Becky Wright and Kelsey MacDermaid of digital media brand The Sorry Girls. Photo credit: David Lasker Photography
This year’s IDS booth by Winnipeg-based Hush Acoustics was inspired by Japanese architecture and embellished with the firm’s sound-absorbing materials, made from PET (polyethylene terephthalate) from recycled plastic bottles. Photo credit: David Lasker Photography
There was saturated-crimson everything at Colour Drench by Hollis+Morris, winner of the Judges’ Choice booth award. Photo credit: David Lasker Photography
At the Prototype area in Studio North: The Scaffold Dresser Table, made with unfinished cherry and maple by William Goo of Estudio Goo; and the Unit 8x8x8 lighting sculpture by Imajin. Its 512 emitters can operate as a static lamp or an animated display with variable sequences and colours. Photo credit: David Lasker Photography
The Sherwin-Williams Paints booth took a deep dive into frosted tints, sun-baked hues and restorative and foundational neutrals. Photo credit: David Lasker Photography
Anatolia, a Toronto-based company manufacturing in Turkey, featured their sintered porcelain slabs, larger than life (up to 63 by 126 inches) and just as real-looking as the marble and granite they emulate. Photo credit: David Lasker Photography